Sara Witty Sara Witty

WIP Jokes

My painting process involves many many layers of color and glaze. There's always a stretch of time where everything is absolutely the wrong color and mostly the wrong shape. I make jokes about progress the same way people knock on wood. To make sure this shit shapes up.

(WIP is Acrylic on Canvas, inside a Digital comic)

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Sara Witty Sara Witty

The Robots Begin to Accrue

(With a scissors for scale)

(Acrylic on Canvas)

I love this part of the painting process. When I decide I'm a talentless hack and there’s no way I’ll pull this one off and maybe I should burn all my paintings on the lawn like Modigliani and get drunk in the backyard cradling the garden hose like a loveable snake and crying.

I am also keenly aware that I'm ☆this☆ close to putting myself into another butt situation. The last time I worked myself into a butt-painting corner, I gathered so many fine art butt reference images, my camera roll and my psyche became overwhelmed with Rubens and Titian.

The butt in question:

Goddamnit. The above butt is not only on a canvas of the exact same size, it’s also robot-adjacent.

I’m doomed.

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Sara Witty Sara Witty

Op Art

Aka: the white and black gesso underpainting for the piece I’ll be working on for the rest of the month.

(Gesso on Canvas)

Next time I’ll get a banana for scale, because this thing is 6 feet tall by 3 feet wide.

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Sara Witty Sara Witty

The Keen Edge's Clear Reflection

Sketch for the Ace of Swords.

(Pencil on Paper)

This may be the last Tarot work for the rest of this month depending on:

  1. How quickly I can paint other things.

  2. How well I can resist working on this.

One point in the ace's favor: I really only have to design half of it. Which I'm sure can only result in a measured and reasonable approach to intricacy.

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Sara Witty Sara Witty

He's Not Dead; He's Lazy

From a dream in which I had to carry the Bert around on my shoulders. He was fine, just a dick.

(Digital)

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